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Rupert Marshall-Luck
Rupert Marshall-Luck (born Rupert Luck) is a British violinist and musicologist.
After reading Music at Cambridge University, he was awarded a postgraduate scholarship to continue his studies with the eminent pedagogue Simon Fischer and thereafter won a Distinction for his degree of Master of Music.〔Rupert Marshall-Luck's official website, http://www.rupertluck.com〕 He now appears as soloist and recitalist at major festivals and venues throughout the UK as well as in France, Germany, the Netherlands, the Republic of Ireland, Switzerland and the USA. He is married to Em Marshall-Luck, the organiser of the English Music Festival.
==Recordings==
Marshall-Luck has made several recordings with the pianist Matthew Rickard of works by British composers for the label (EM Records ), his discs including World Première recordings of compositions written during the late nineteenth and early twentieth centuries and which, in many cases, he has himself edited for performance (see also Musicology).〔EM Records catalogue: June 2013; more information is also available on the EM Records website, http://www.em-records.com〕 These recordings have attracted much critical acclaim: his CDs of Violin Sonatas by Bliss, Walford Davies and York Bowen (EMR CD001) and of works for violin and piano by Elgar, Gurney and Sainsbury (EMR CD006) were both named as ‘Recordings of the Month’ by ''MusicWeb International'';〔http://www.musicweb-international.com/classrev/2011/Mar11/Bliss_EMRCD001.htm〕〔http://www.musicweb-international.com/classrev/2013/Feb13/Gurney_EMRCD011.htm〕 EMR CD001 was also commended by ''BBC Music Magazine'': “Besides bombproof tuning and serious reserves of firepower, () musicianship offers full-throated, gloss-free fullness of tone which would impress in any context”.〔Malcolm Hayes, ''BBC Music Magazine''; July 2011〕 His recording of Vaughan Williams’s Violin Sonata, Holst’s Five Pieces and Walford Davies’s Violin Sonata in E-flat was hailed by ''The Strad'' for its “deeply committed and discriminating performances... Marshall-Luck’s ability to spin cantabile lines with the subtlest of inflections pays dividends.”;〔Julian Haylock, ''The Strad''; January 2013〕 whilst ‘Fanfare’ stated: “Marshall-Luck’s technique and intonation are flawless... each work is projected with knowing sensitivity and communicative expression.”〔Jerry Dubins, ''Fanfare''; July/August 2013〕
He has also recorded a conspectus of the chamber music of John Pickard for Toccata Classics (TOCC 0150), which has also been well-received, ''International Record Review'' stating that “Rupert Marshall-Luck... proves as adept in an overtly contemporary idiom as in those of the early twentieth century with which he is most associated”;〔Richard Whitehouse, ''International Record Review''; October 2012〕 and ''Fanfare'' highlighting it as “a compact disc not to be missed”.〔David DeBoor Canfield, ''Fanfare''; July/August 2013〕
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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